SHELLS

Shells turns protection into an environment: the city, its systems and accumulated hurt become layers around the individual. Eric Chou moves through a spare, controlled world whose surfaces feel both sheltering and restrictive. The film treats the acceptance of pain as the beginning of change, giving the song’s emotional release a material form.〈殼〉把保護變成一整個環境：城市、制度與累積的傷痕，層層包圍著個人。周興哲穿行在極簡、受控的空間裡，既被庇護，也感到束縛；允許疼痛存在，成為變化的起點。

A passing train, repeating window grids and distant human silhouettes establish everyday isolation. Circular light, broken surfaces and warm fissures interrupt that geometry. Moving between cool blue confinement and an orange glow, the images make opening outward a visible event, as the structures surrounding the body begin to give way.疾駛列車、重複窗格與遠處的人影建立疏離感，圓形光口、碎裂表面和暖色裂縫逐漸打斷秩序。冷藍的封閉轉向橘光，讓內在鬆動有了具體可見的形狀。